Some people suggest that it's unpatriotic to protest the war once it's started. I can't say that I agree. While a number of the people protesting do in fact hate America and everything it stands for (capitalism, democracy, rule of law, freedom, self-determination), most of the protesters are simply speaking out against a war they believe is wrong or harmful to our own interests. There's nothing un-American about that, even if the war is currently on-going. However, I do regard them as naive and foolish, and many of them have been brain-washed to believe in peace at all costs (yes, to the extent that they opposed kicking Iraq out of Kuwait and would have opposed U.S. involvement in World War II). A good many are angry that their message is not being heard. It is. It's just that no one else agrees with it. What you have here is a vocal minority in our country that believes too firmly in its own righteousness. And so they work to deliberately disrupt the lives of the quiet majority, by blocking traffic with marches, sit-ins, and even cluttering the street with whatever they can pilfer from sidewalks and city parks. Does this really "get your message heard"? Or does it merely anger your opponents and quiet others who might agree with you but are too ashamed of your actions to admit it? So, like I said, naive and foolish.

I haven't seen Michael Moore's Bowling for Columbine. I doubt I could stand to sit through the whole thing. However, I did find this article debunking much of Moore's "facts" very enlightening. All around the world, Bowling is reportedly meeting with "rave reviews", as reported from France and Japan. I wonder how many of the enthusiastic audiences realize that their own prejudices were being fueled by deliberate fabrications? Probably none of them.

I recently released what is supposed to be the final patch to Night's Edge: Wet Works, our mod for Unreal Tournament. I admit, my attention to the mod over the past several months was sparse and sporadic at best. This definitely prolonged the release of version 1.2 and I can't deny it. But I also believe that most people don't know what it's like to have a project like this last for 3 years and reach the point where it's gone on for so long and absorbed so much of your life that you begin to harbor a deep down resentment for it and cringe at the thought of continuing. I can't remember the last time I played Night's Edge when it wasn't for testing purposes. It was probably at the last outLAN, which was quite a while ago. I designed Night's Edge as the game that didn't exist but I wanted to play... and then I never really played it.

Creating a mod is a pain. I mean, it's a seriously arduous task to design and actualize something on the scale that we did. Inexperience managing a group (especially a volunteer group) only makes it worse. I made a number of mistakes in the way I recruited, ran the team, and planned out goals. Being the only programmer and team lead meant that the time I took out to aid a team member, bring new people up to speed, or investigate a particular tool was time I didn't devote to working on the code. Lack of solid information at times severely crippled our progress. Official documentation for much of UT's feature-set is simply non-existent, and so there was a considerable amount of trial-and-error going on behind the scenes.

Then there's the reality of volunteer internet help. Faceless strangers doing work for someone else's project are notoriously unreliable. This is not to say that all of my volunteers were flaky, because this simply not true. Night's Edge benefited from some great volunteer contributions. But I wasted a lot of time handling people who either had no real skills to offer or who -- for some reason or another -- decided that they couldn't (or didn't want to) continue to help out. I suspect that I could have done a lot more to keep people (and keep them productive). In the end, though, dealing with team turn-over is tough and demoralizing for everyone involved (probably more so for the team lead).

Three years is a long time to work on an amateur product like this and so I've made it, I think, perfectly clear that Night's Edge: Wet Works has come a final and decisive end. What little interest there was in the mod can only further dwindle with the release of Unreal Tournament 2003. But the experience has taught me some valuable lessons, and though I still may cringe for a while whenever someone mentions it to me, it was an important project for me to work on. First off, I'm not a manager. I've known it since high school when I was the "head" of various teams and clubs. Organizing people is not my strong suit. I'm also a notorious procrastinator when it comes to things that aren't fun, and let's face it, a lot of making a mod is just plain work. I don't know what to say to motivate people, especially volunteers. And I definitely played too nice with both the non-contributing team members and the complainers on the message board. Yeah, even with my numerous acerbic comments, the forums still got out of hand because we tolerated too much crap.

Which, of course, brings up one of the biggest reasons I've come to resent Night's Edge: some of the players themselves. I just haven't yet gotten accustomed to the fact that no matter how hard you try, you will be deluged with bitching and whining about every little thing. It's a staple of the gaming community, whether you do it for fun or for profit. Just because people don't pay a cent to play our mod doesn't mean they won't complain just as loud as they do for the games they paid $55 for at Best Buy. Well, maybe not quite as loud. Still, I don't think anything was quite as demoralizing as the constant negative comments we received from people who claimed to like the game. And it wasn't just about bugs (though there were plenty from time to time), it was the stream of complaints about the style, or the lack of a particular feature, or how This Game didn't compare to That Game, or how they always wanted So-And-So in a game and we were idiots for not including it. We had several great fans who posted helpful and constructive criticism, but eventually they moved on because the barrage of inane comments.

After the mod conference, I drew up plans for a third-person space-style mod for UT2003 (similar in vein to what Bellicose Void is supposed to be) that I discarded when Mojo pointed out to me how much work it would be and I'd said I wasn't interested in doing another large project. Too true. So I abandoned it and devised a basic type of rune-style mutator to replace the adrenaline. After putting that all together... I realized the last thing I wanted right now was to head up another mod, even if I was the only one working on it. I have too little free time to have another sink hole like that eating it all up. So maybe one of these days I'll join up with an existing mod team and offer up my volunteer services. But probably not any time soon, and I don't know that I'll ever start up my own mod project again.

Saw Star Trek: Nemesis last night and, like a lot of people, found myself torn. This might have been a good movie, even if it was basically a rehash of Star Trek II: The Wrath of Khan. I mean, if you're going to copy a Trek movie, you might as well copy the best one. But while ST2 remained true to Trek, Nemesis did not. (Avast, ye mateys, there be spoilers ahead!)

There were several moments throughout the movie that made me sit, gaping in my chair, wondering out loud, "Did the writers even watch Star Trek: The Next Generation?" When a Data-like android was found on an alien planet (using the Enterprise's magic Plot Device to detect the android's energy signature), no one, not once, bothered to mention Lore -- the precursor to Data, the android that was just a bit too human for comfort. Everyone was all amazed... "Oh my, another Data! Wow, it looks just like you!" For crying out loud, it's not like this never happened before. The fact that the chaotic Lore existed at all should have given them pause before reassembling their newly discovered Data-double. But no, not only do they proceed to put it back together, they also dump all of Data's memories into it! This is, of course, allows the writers to do something rather drastic at the end of the movie and still end up with everything copacetic in the end. Pretty convenient, I'd say, eh?

I'd also like to say that the scene where they discover Data's second sibling was rather baffling. All of the sudden, strange aliens appear, driving dune buggies complete with machine guns shooting up the place... and no explanation as to why.

Are we supposed to believe that the Romulans, arrogant beyond belief and so assured of their own superiority, would make a human clone the leader of their entire empire? Not only a human clone, but one that was raised on Remus and brought with him hordes of Remans as his trusted guards and advisers. A coup by the Romulan military I can believe. A military coup that places a human on the throne is hard to swallow.

I almost never notice music in movies. It's just something I don't pick up on, as long as it's decent. There are a very few occasions when I realize that a movie has good music. There are also those movies, like Nemesis, where I can't help but notice the bad. On the planet where they discover the android B4, we are subjected to a terrible discordant score so close to being palatable that I couldn't for the life of me figure out if it was some kind of problem with the audio recording. I mean, it was just plain bad. Of course, during that entire segment, the lighting was washed out and yellow, so I can only assume the the effect was intentional. However, I simply chalk it up to another poor decision.

Where is Data's emotion chip? Seemingly forgotten. It is quite clear in this movie that it is not in use ("I feel nothing," he says on one occasion), nor is any mention of it ever made. Now that I think of it, mind you, I think they pretty much did the same thing in Insurrection. However, this is not an excuse, considering how prevalent it was in Generations, and it was featured in First Contact.

And they start out the movie with The Silliness. Come on, people. TNG has always had its sense of humor, but what's with the fucking singing? I can't remember anyone singing show tunes in any of the TNG episodes, and yet we have 2 movies where characters belt out songs at a whim. Enough already!

Oh, and just for the record, Picard used to have hair. It didn't bother me that his clone had none... It did bother me that the (SF Academy?) photo of Picard had none. Don't believe me? Watch the TNG episode "Tapestry" in which he dies and Q shows Picard what his life would have been like had he not been so reckless in his youth. Yeah, he used to have hair. Most bald people did.

This isn't to say the movie is all bad. It has plenty of action, though none of the space combat really had the edge-of-your-seat nail-biting suspense of either Wrath of Khan or Undiscovered Country. And at least the main bad guy isn't a god or sorry cookie-cutter Klingon. Tom Hardy does well in the role he was given, doing a fine job of expressing his pain, anger, and longing. It's just a shame he wasn't given something better to work with.